Made at a critical juncture in Betye Saar's (born 1926) career, the enigmatic assemblage Black Girl's Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. “Black Girl’s Window” is the focus of one of the exhibitions helping to reopen the new Museum of Modern Art. By visiting our website or transacting with us, you agree to this. Digital Image © 2018 The Museum of Modern Art, New York. Delve into the post-war Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Photo courtesy of Roberts Projects, Culver City, California Black Girl's Window was created during a pivotal time in Saar's artistic development, as she began working with iconography that alluded to her heritage, personal biography, and astrology. Mystic Sky with Self . Betye Saar: Black Girl’s Window. Wooden window frame with painted pasted papers, lenticular print, framed photograph, and plastic figurine Courtesy the artist and Roberts Projects, Los Angeles. Exploring the powerful symbols in Betye Saar’s. Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. “Black Girl's Window.” 1969. After nearly a decade of focused work in printmaking, artist Betye Saar created her autobiographical assemblage "Black Girl’s Window" in 1969. For licensing motion picture film footage it is advised to apply directly to the copyright holders. On view from October 21, 2019, through January 2020, Betye Saar: The Legends of […] Betye Saar The Legends of Black Girl’s Window | MoMA Exhibition . Flat against a blue background and a set of sheer curtains, this figure presses up against a transparent yet rigid and unyielding surface. Imitation of Life 1975 Betye Saar . The Phrenologer's Window, 1966, Betye Saar. Some partners do not ask for your consent to process your data, instead, they rely on their legitimate business interest. 1969. Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. If you have additional information or spotted an error, please send feedback to [email protected]. Betye Saar And “The Legends of Black Girl’s Window” @ MoMA October 21, 2019–January 4, 2020. First post so I’m not sure if this fits with the sub! Saar has acknowledged the self-referential nature of the assemblage: “Even at the time, I knew it was autobiographical,” she has said. Betye Saar, Black Girl’s Window (1969) ‘“Even at the time, I knew it was autobiographical. Black Girl's Window is an assemblage piece made from an old window, in which the painted silhouette of a girl presses her face and hands against the pane. For licensing motion picture film footage it is advised to apply directly to the copyright holders. Betye Saar. Back. Wooden window frame with painted pasted papers, lenticular print, framed photograph, and plastic figurine In that sense, “Black Girl’s Window” exists in Saar’s œuvre as an aperture. The girl's facial features are hidden. The show is the first in a two-part survey of Saar’s career. Its facial features are hidden in shadow, with the exception of two bright-blue eyes cut from a lenslike material that creates the illusion that they open and close as the viewer moves around them. Sie ist eine visuelle Erzählerin und versierte Grafikerin.In den 1970er Jahren zählte sie zu den Vertretern des Black Arts Movement. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. We have identified these works in the following photos from our exhibition history. The result was Black Girl’s Window (1969), a pivotal work in the artist’s career that blended the mystical imagery Saar was using in her ongoing printmaking practice with political and biographical elements to form a self-portrait assemblage. The Scottsdale Museum of Contemporary Art is showing "Betye Saar: Still Tickin'," a survey of nearly 55 years of Saar's work. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Look through the opening, and you will find Saar rescuing the black female figure from her destiny of abasement. The Museum of Modern Art, 2019, 2–13. In another piece, Black Girl’s Window (1969) Saar places drawings of mystical and celestial objects such as stars, moon phases, two skeletons and a lion - for Leo, her astrological sign - in sections of an old window frame. This record is a work in progress. Wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine, 35 3/4 x 18 x 1 1/2 inches. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. 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